Showing posts with label David Salle. Show all posts
Showing posts with label David Salle. Show all posts

Monday, September 15, 2014

Meet the Artist Monday: Claire Kretzschmar

Claire Rehearsing New Salle in Telluride
Claire joins BalletCollective this season bringing her crisp musicality and dynamic athleticism to the New Salle piece and The Impulse Wants Company.

Here is my Q and A with Claire:  

Me: What does BalletCollective mean to you?
BalletCollective is a very intimate company made up of some of the most talented, individual, and genuine artists I know. Throughout the rehearsal process, it is inspiring to be around such people, and so uplifting to see how much we truly value each other as dancers and friends. There is no hierarchy in the company, which adds to this egalitarian feel and gives us the opportunity to freely explore our artistry. I feel very liberated on many levels when I dance with the company.

What do you enjoy about working with Troy?
Troy really understands that dancers are individuals with distinct personalities and movement styles. During the choreographic process, he allows us to infuse our instinctive movement qualities with his steps, which gives his ballets very unique and personalized qualities.

After a hard day of dancing, what is your favorite meal?
This is such a tough question because I love all foods! But I suppose that one of my favorite comfort meals is a hearty plate of pasta loaded with meat and veggies, and followed by a homemade brownie sundae or perhaps a slice of hummingbird cake from Magnolia Bakery.

Your most memorable onstage moment?  

When I was 19, I got my braces off on a Friday morning before our evening show of The Nutcracker, and I couldn’t wait to get onstage and show audiences my new, smooth smile. That night I decided to make my first entrance in the snow scene extra big, particularly since I enter from the back wing by myself. Turns out the snow scene was a bit icy that night and upon taking my first step, my leg slipped out from under me and I landed flat on my bottom! After laughing and smiling enormously throughout the rest of the dance, I remember Megan Fairchild saying to me after, “Your slippery teeth must have made the ground slippery too!” I think that was my first fall ever onstage.

What's your favorite way to pass time? 

I love to play good music on my speakers and bake something delicious in the kitchen.

What are you reading? 

I’m not reading any books for pleasure at the moment, but I’m reading an interesting book for school called “Influence” which explains how people can persuade and be persuaded in everyday life.

What's the most recent song/album you've downloaded?
I just downloaded the Grand Budapest Hotel Soundtrack; it’s so quirky and puts me in the best mood!

If you could die and come back as an animal, what would you be?
Flying as a bird would be amazing, but I think I would want to be a sea otter because they look like they have so much fun swirling around in the water!

Your greatest influence? 

My parents - It’d be impossible to list the all of the ways that they have influenced my life.

Claire is a wonderful addition to BalletCollective. It has been great to work with her both in coaching and as a fellow dancer on stage. I look forward to our New York season and watching her grow as a dancer.

Thursday, May 22, 2014

2014 Season Announcement

BalletCollective is back!
The Impulse Wants Company
Photo by Erin Baiano

After our successful season this past summer at the Joyce, BalletCollective is up and running again, gearing up for our 2014 New York Season to be held at NYU Skirball, October 29th and 30th. It is exciting to be back in the studio again working on new pieces for BalletCollective.

This year BalletCollective has 2 new dances planned in addition to last year's The Impulse Wants Company. The first new work is to feature the collaboration of director and choreographer Troy Schumacher, indie rock composer Ellis Ludwig-Leone and artist David Salle; the other new piece, titled  Dear and Blackbirds, will feature the second collaboration of Troy, Ellis, and writer Cynthia Zarin.

The Impulse Wants Company
Photo by Erin Baiano
The process of creation for Dear and Blackbirds is off and running. The poem is written and the music is mostly complete. The dance, a 10 minute pas de deux for Harrison Coll and me, is in the beginning stages. Troy began working with us one evening last week before a NYCB performance to get a sense and feel for the ballet and the direction it should take. Harrison, an energetic young lad, portrays just that in the piece. I am an older woman (as I am about 10 years older than Harrison, AHHH), annoyed at his youth but interested in his vitality. The piece starts out fast paced for Harrison and slow and steady for me. It has been fun and interesting working with Troy and Harrison on this pas de deux. Harrison and I have a very playful dynamic which seems to be perfect for this project. We are both open to ideas and feel quite comfortable working together (we should, considering Harrison was my first "Party Scene child" in the Nutcracker about ten years ago!). I am encouraged by our first three rehearsals and like what Troy has created so far.

Stay tuned for more about Dear and Blackbirds as the ballet progresses along with all the inside scoop on BalletCollective and its company!