|Dear and Blackbirds Photo by Matthew Murphy|
The ballet ended with an overwhelming response from the audience. The dancers were encouraged and excited to now go on to perform the premieres.
Up next, Dear and Blackbirds. Though this was a premiere, Harrison and I had performed excerpts in Fire Island and Telluride this past summer so it didn't feel as if I had never danced it. However, I had never performed it with Troy, so it was going to be a different experience for sure. Troy and I rarely dance together at City Ballet, but do occasionally dance together on projects of his creative works, so this was not our first rodeo together. The lights go to dim, we steal a quick "merde" hug and we begin walking. After just four steps the musicians began playing. Everything happened as planned thus far, except the musicians were off to a gallant pace. Luckily for me, the beginning of Dear and Blackbirds is minimal dancing for my part and starts out slow, unlike Troy who was flying around, jumping and turning at the speed of light. We had moments where our eyes met - both understanding by the look and expression that "Wow, this is fast!" Before long we had settled into the quick pace and just went along for the ride. Though, at times I felt rushed, overall the performance was exciting and spontaneous. I enjoyed portraying a different woman and telling a new story dancing with Troy and I think he had a blast too!
|All That We See Photo by Matthew Murphy|
Troy and I, dabbing off our sweat, catching our breath and taking sips of water, stood watching from the sidelines. All That We See is a wonderful ballet filled with great music, varied tempos, moods, and interesting steps. Created for five dancers, with eight movements, everyone dances hard for 18 minutes and they are exhausted by the end. I love watching this ballet and find it so diverse. I think it could be Schumacher's best yet!
The crowd was incredibly supportive of all three works. BalletCollective left feeling extremely accomplished and grateful.
After the performance Wednesday night we all headed to a party to celebrate the night that thrown by our supporters! Needless to say it was a blast, but also a late night. Thursday Troy and I slept in and had a slow start to the day. Instead of getting up early and taking morning ballet class, Troy taught a warm up class at 5:30pm for the company on stage.
I arrived at the theater early to finish dealing with the laundry and making sure the costumes were ready to go for the evening performance. Then I got straight to my makeup and hair, giving myself plenty of time to stretch and prepare before our warm up class. After class, Troy and I ran Dear and Blackbirds to get a "puff" in. It is essential to get a puff in before doing something hard. (It makes it easier in the performance having already danced hard.) And since the pas de deux is 10 minutes of non-stop dancing, we needed to feel winded. Some of the other dancers did excerpts of All That We See to get moving as well.
The on stage call was announced and the dancers were ready! Interestingly enough, the New York Times review came out online an hour before the show was to start. Usually Troy, and the rest of us, would not jump to read something that reviewed the same ballets we were soon to dance, but Troy received word from his press advisor that he must read it. So the article filtered through the theater, and caused a rush of excitement and joy to all at BalletCollective. That night's performance had an extremely different feeling. The atmosphere on stage and in the orchestra pit was fresh, relaxed, joyful, and an excited ball of energy, feeling lucky to again perform something so special to all of us.
We finished the performance with hugs and kisses, all looking forward to BalletCollective's next and future endeavors!